In this gripping thriller, truth and justice are called into question when a Black man is gunned down in cold blood—the first novel in a riveting series from renowned civil rights attorney Ben Crump.

“A sensationally good crime and legal thriller . . . This is exactly what a book should be.”—Lee Child, #1 New York Times bestselling co-author of the Reacher series

It’s the night of November 4, 2008. America’s first Black president has just been elected. And fifty-three-year-old Hollis Montrose—a Black ex–police officer from the suburbs of Chicago—has become the latest victim of a brutal attack. As the result of a traffic stop gone wrong, Hollis is shot ten times in cold blood, by four white men who could have been his colleagues back in his police days.

Beau Lee Cooper was born serious, as if on an urgent mission with little time to waste. Raised in the tumultuous world of 1970s Texas, he always dreamed of becoming a lawyer and fighting for what’s right, ever since he was a little boy reading To Kill a Mockingbird. And now, ten years into running his own law firm with his best friend and partner in crime, Nelson “Nellie” Rivers, and his suave right-hand-man, Brent “Cape” Capers, he feels he’s finally making a difference. When Beau Lee learns about Hollis’s situation, he’s determined to help.

Miraculously, Hollis survives the encounter, but the Chicago police department has already spun the narrative in its favor, and Hollis is given a wrongful prison sentence with an unreasonable bail. What really happened that night the car was pulled over? Was it random or was Hollis targeted? Beau Lee knows he’s treading in dangerous waters, and finding evidence of the truth will be his biggest challenge yet, but with troubling powers at play, one innocent man’s life hangs in the balance.

"In her latest, Riley provides a fresh take on high seas adventure through the eyes of the courageous, swashbuckling, based-on-a-real-life female pirate Jacquotte Delahaye. The research Riley has done on this 1600s saga is truly remarkable, second only to her depictions of the lush Caribbean setting and the diverse, multi-faceted cast of characters. This is one to be savored." --Fiona Davis, New York Times bestselling author of The Stolen Queen

The real Pirates of the Caribbean were Black, and women! From Vanessa Riley, acclaimed author of Queen of Exiles, comes a sweeping, immersive saga based on the life of the legendary seventeenth-century pirate Jacquotte Delehaye.

The Caribbean Sea, 1675. Jacquotte Delahaye is the mixed-race daughter of a wealthy tavern owner on the island of Tortuga. Instead of marriage, Jacquotte dreams of joining the seafarers and smugglers whose tall-masted ships cluster in the turquoise waters around Tortuga. She falls in love with a pirate, but when he returns to the sea, Jacquotte decides to make her own way. In Haiti she becomes Jacques, a dockworker, earning the respect of those around her while hiding her gender.

Jacquotte discovers that secret identities are fairly common in the chaotic world of seafaring, which is full of outsiders and misfits. She forms a deep bond with Bahati, an African-born woman who has escaped slavery and also disguises herself as a man to navigate the world. They join forces with Dirkje De Wulf, a fearless adventurer who also lives as a man at sea. As Jacques, Jacquotte falls in love with Lizzôa d'Erville, a beautiful courtesan who deals in secrets and sex. While others see their work clothes as a disguise, Lizzôa's true self is as a woman.

For the next twenty years, Jacquotte raids the Caribbean, making enemies and amassing a fortune in stolen gold. When her fellow pirates decide to increase their profits by entering the slave trade, Jacquotte turns away from piracy and the pursuit of riches. Risking her life in one deadly skirmish after another, she instead begins to plot a war of liberation.

The posthumous memoir of Rev. James Lawson Jr., peer of Dr. Martin Luther King Jr., mentor to Congressman John Lewis and the Freedom Riders, and a principal architect of a nonviolent resistance movement that changed the world.

“This book is a gift to be treasured, from a man who has already given so much.”—Jonathan Eig, Pulitzer Prize–winning author of King: A Life

Rev. Lawson was one of the most influential yet unheralded heroes of the civil rights era. He rose as a strategist, teacher, and organizer in pivotal campaigns on the national stage against racial and economic injustice.

Lawson’s memoir spans 95 years, but it begins far from the spotlight in a large, working-class Ohio family. The son and grandson of Methodist ministers, he receives his license to preach before graduating from high school.

Lawson goes on to serve time in prison for refusing the Korean War draft, and learns from independence movements during three years in India and Africa. He then fortifies the principles of a new American Revolution when he teaches nonviolent direct action centered in love and moral clarity to the Little Rock Nine, the Mississippi Freedom Summer volunteers, and countless others. He also becomes a leader in the 1960 Nashville sit-ins, the 1963 Birmingham campaign, the 1966 Meredith March Against Fear, and the 1968 Memphis sanitation workers' strike.

Nonviolent delivers an intimate self-portrait of Lawson as a man who recognized the inherent dignity of everyone, and challenged all forms of violence, including police brutality, enforced poverty, and what he called plantation capitalism. It shows his quest for justice continuing in Los Angeles well into the 21st century, as he helped foster a more inclusive labor movement and an enduring immigrant rights movement.

Nonviolent is a riveting historical narrative from a central figure in global liberation and a testament to compelling a nation to live up to its founding ideals of liberty and justice for all.

From the two-time Emmy Award–winning producer and host of the Black and Published podcast comes a sweeping multi-generational epic following seven generations of Dupree women as they navigate love, loss, and the unyielding ties of family in the tradition of Homegoing and The Love Songs of W.E.B. DuBois.

It’s 1995, and fourteen-year-old Tati is determined to uncover the identity of her father. But her mother, Nadia, keeps her secrets close, while her grandmother Gladys remains silent about the family’s past, including why she left Land’s End, Alabama, in 1953. As Tati digs deeper, she uncovers a legacy of family secrets, where every generation of Dupree women has posed more questions than answers.

From Jubi in 1917, whose attempt to pass for white ends when she gives birth to Ruby; to Ruby’s fiery lust for Sampson in 1934 that leads to a baby of her own; to the night in 1980 that changed Nadia’s future forever, the Dupree women carry the weight of their heritage. Bound by a mysterious malediction that means they will only give birth to daughters, the Dupree women confront a legacy of pain, resilience, and survival that began with an enslaved ancestor who risked everything for freedom.

The Seven Daughters of Dupree masterfully weaves together themes of generational trauma, Black women’s resilience, and unbreakable familial bonds. Echoing the literary power of The Twelve Tribes of Hattie by Ayana Mathis, Nikesha Elise Williams delivers a feminist literary fiction that explores the ripple effects of actions, secrets, and love through seven generations of Black women.

Nobel laureate and Pulitzer Prize–winning author of Beloved Toni Morrison investigates Black characters in the American literary canon and the way they shaped the nation’s collective unconscious.

In a dazzling series of lectures from her tenure as a professor at Princeton University, Toni Morrison interrogates America’s most famous works and authors, drawing a direct line from the Black bodies that built the nation to the Black characters that many of the country’s canonical white writers imagined in their work. Morrison sees these fictions as a form of creation and projection, arguing that they helped manufacture American racialidentity—these “Africanist” presences are “the shadow that makes light possible,” as Morrison writes, and the reflections of their authors’ own deepest fears, insecurities, and longings.

With profound erudition and wit, Morrison breaks wide open the American conception of race with energetic, enlivening readings of the nation’s canon, revealing that our liberation from these diminishing notions comes through language. “How,” Morrison wonders, “could one speak of profit, of economy, of labor, or progress, of suffragism, or Christianity, of the frontier, of the formation of new states, the acquisition of new lands . . . of practically anything a new nation concerns itself with—without having as a referent, at the heart of the discourse or defining its edges, the presence of Africans and/or their descendants?”

To read these lectures, collected here for the first time, is to encounter Morrison, not just the writer but also the teacher, in the most penetrating and subversive way yet. With a foreword by her son Ford Morrison and an introduction by her Princeton comparative literature colleague Claudia Brodsky, Language as Liberation is a revelatory collection that promises to redefine the American canon.

A gripping novel of two young women fighting for survival on the edge of the wilderness, and the love that simultaneously sustains them and threatens their very existence, from the author of the Good Morning America Book Club pick River Sing Me Home. 

Nova Scotia, 1796. Cora, an orphan newly arrived from Jamaica, has never felt cold like this. In the depths of winter, everyone in her community huddles together in their homes to keep warm. So when she sees a shadow slipping through the trees, Cora thinks her eyes are deceiving her...until she creeps out into the moonlight and finds the tracks in the snow.

Agnes is in hiding. On the run from her former life, she has learned what it takes to survive alone in the wilderness. But she can afford no mistakes. When she first spies the young woman in the woods, she is afraid. Yet Cora is fearless, and their paths are destined to cross.

Deep among the cedars, Cora and Agnes find a fragile place of safety. But when Agnes’s past closes in, they are confronted with the dangerous price of freedom—and of love....

With evocative prose and immersive storytelling, Fireflies in Winter is a powerful novel about love—love for the wilderness in all its unforgiving beauty, and love between two women who risk everything to be together.

From Dorothy Roberts, author of Killing the Black Body and a writer who “has brilliantly illuminated the Black experience in America for decades” (Bryan Stevenson), comes a spirited and riveting memoir of growing up in an interracial family in 1960s Chicago and a daughter’s journey to understand her parents’ marriage—and her own identity.

Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the “colorline.” Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasn’t just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriages—a project he never finished but shaped every aspect of their family life.

As a 21-year-old graduate student, Dorothy’s father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over 500 couples and assembled stunning stories about interracial marriages that took place as early as the 1880s—studying, but also living, championing, and believing in their power to advance social equality.

Decades later, while sorting through her father’s papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her father’s research didn’t begin with her parents’ love story—it came long before it. This discovery forces her to wrestle with her father’s intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own.

Though grounded in her parents’ research, it’s Roberts’ captivating storytelling that drives this memoir. In following the arc of her parents’ interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of today’s most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love.

The page-turning and revelatory true story of America’s disastrous 1835 attack on the Seminoles in pre-statehood Florida, and the two men—a Black American and a renowned Indigenous warrior—who fought back for their homes and freedom, from the author of “eye-opening marvel of a book” (Alexander Rose, New York Times bestselling author) 12 Seconds of Silence. 

From 1817 to 1858, a series of conflicts known as the Seminole Wars took place between the United States and the tribes of Florida as they battled for the land.

Within this unconquered territory, formerly enslaved mothers and fathers and Seminole families had lived side by side for generations, building communities in the interior, beyond the reach of the growing United States. But in 1835, the young country took up arms against them, seeking to forcibly remove all Indigenous people and return their allies to slavery. In the face of this terror, tribes and bands came together across racial lines to preserve their freedom from federal interference. As the fight waged on, two men—Abraham, a free Black American, and the esteemed Creek warrior Osceola—worked together to save their lands and their people, against overwhelming odds, from America’s formidable Army of the South.

A powerful and vivid exploration of an overlooked revolt and historical alliances between Afro-descendant families and Indigenous tribes, The Free and the Dead is a timeless work of history that sits alongside Empire of the Summer Moon and The Demon of Unrest.

From acclaimed author Terah Shelton Harris comes a poignant story of survival and redemption that questions what it means to stop existing and start living.

Leigh is the last of the Wildes. She knows this because she watched them all die.

Grief never truly fades and even as the tragedy haunts her, Leigh carries on, because survival is in her blood. So, when the transport bus taking her to prison careens off the road, killing everyone onboard except her, she does what's in her nature. She survives.

While searching for a place to hide, Leigh stumbles upon an unexpected sanctuary: a flower farm in rural Alabama tucked away from the world. What Leigh doesn't expect is the found family there who have built something from the wreckage of their own lives. Especially Jackson, the farm's owner, who sees through Leigh's defenses, offers her small moments of tenderness, encourages her to face her own tragedies. Slowly, Leigh finds peace with the hard pace and soft nature of the farm, taking comfort in the life blooming around her. Maybe she's not beyond redemption, not too broken for something good. And maybe, just maybe, Leigh starts to heal.

But the past isn't so easily buried.

No matter how far she runs, the truth of who she is and the ghosts of the Wildes follow. And when those secrets catch up to her, threatening everything she's come to love, Leigh will have to truly face what she can survive.

This stunning cultural and personal reclamation of Black history and Black botanical mastery offers up lessons from the natural world shared through the stories of long-lived trees.

The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely.

In When Trees Testify, award-winning plant biologist Beronda L. Montgomery explores the ways seven trees—as well as the cotton shrub—are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants.

Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.